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Epona Little Girl A and J Dragon Lore Corgi and Fairy Circe The National Museum of Singapore Stars in the Dust Falling to Pieces Warrior Mother Corgi and Fairy Raven Girl

5 May 2012, 23:30

Portraits After Dark May 2012

May 2012’s MAAD had especially good music; it didn’t rain, and the OIC illustrators painting portraits for the night were fed pretty well! So here are just three portraits (out of six) I produced in the three-and-a-half hours of Portraits After Dark:

First Portrait Art Students Friends in Black

It was nearly 11pm before we were done! Time really flies whenever you’re trying to paint like a speed demon. (I consider myself slow, but then again, I’ve gone back to trying to capture likeness at least to a point where recognition of the sitter’s identity is there, and not merely through their clothes!)

Also had fun meeting new and old friends—there’s always time to mingle between the sittings. And one thing that was new—the illustrators had their photos taken with their work, and those should be appearing on the OIC Singapore FaceBook page or web site soon.

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4 May 2012, 00:14

Epona and Portraits After Dark

Epona has been completed and uploaded to the site. This weekend (after MAAD on Friday night and a sketchwalk on Saturday morning), I look forward to creating prints and cards from the image.

Epona

Portraits After Dark is on May 4th at the Red Dot Traffic Museum from 7 to 10pm; just click the link for information on how to get there! (Now you can see upcoming events on the main page as well as the blog section of the site.)

I’ll also be the Singapore Arts Fest with a booth the first weekend (May 18th-20th) at the Esplanade Bridge. I’ll post soon about the (new) products I’ll have available at my booth!

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23 April 2012, 22:18

Work-in-Progress: Epona

Whenever I need to get out of a painting dry spell, nothing gets me working again quite as quickly as painting a goddess—because she’s worth it! In the last three days, I’ve chosen Epona, first sketched during June 2011’s Sketchfest.

Epona Sketch Epona work-in-progress I Epona work-in-progress II

First I reworked the horse, having already planned the horse to be larger in the final (see my notes on the original Epona Sketch) and enlarged the composition a little, trying to strike a balance with the bigger horse. All this sketch-reworking was actually done in Photoshop before I mirror-flipped it, enlarged it, then got my printer to put the lines on a piece of tracing paper, which I then used to transfer the drawing onto an A3 Daler-Rowney surface (roughly 12” by 16”, for you non-metric folk)! I taped it to my painting board, and then the fun began.

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19 April 2012, 23:32

Painting Things Peranakan

Peranakan culture was what I was born into and what I experienced growing up with my mother’s family in Singapore, without knowing its name or that I wasn’t typically Chinese. My mother’s family members wore sarong kebayas and ate rice with their hands, spoke Teochew and English with a lot of Malay thrown in (so much so I never knew some of those words are not Chinese), and ate meals that never went without sambal belacan. They were other markings, more to do with practices and food and names than material things, so I actually thought we were wholly Chinese, not the special brand of Straits Chinese who had some Malay blood up the line—the “Chinese Peranakan”, which in Malay means children of the soil—Chinese descendants on Malayan soil, in this case.

Precious Slippers Lovebirds The Peranakan Museum

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18 April 2012, 22:32

I Made a Plate!

…And it didn’t explode in the kiln! (That was the important bit.) Behold!

Ladybug Leaf Plate Ladybug Leaf Plate

It is MY wavy stamped leaf plate with ladybug. Which I made. My signature’s on the bottom. (May photograph the signature and add it to this post later, or maybe not.)

I’ve long wanted to work with “proper” clay, the kind that needs to be fired in a kiln, that gets covered in luscious glazes and so forth, and had always been challenged finding a pottery or ceramics class close enough to me. Then a lunch at the Singapore Flyer led me to discover Aaron Tan’s ceramics workshop there (website seems down at the moment, alas), and a few days later, I was having my first, trial lesson.

The two hours had moments of me feeling absolutely daunted and out of depth sometimes, but they were not entirely unpleasant (except, not having the physical strength to physically knead the clay when it came right out of the package was, frankly, terrifying—like, I kept wondering if I needed weight training or if I needed to just give up on a lifelong fancy). Once the kneading was done, things got a whole lot more fun, as fun as my teenage days when I worked with paperclay. Not that my previous paperclay skills helped any—real clay is a real different beast, and markedly different from shaping dough as well (which I love doing too) because OMG AIR IS THE ENEMY AND IT IS EVERYWHERE.

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